NGS SINGER FIRE - Dynamique Voice Microfone, Wired Microphone with 3-meter-long Wire, 6,3mm Jack Connexion and On/Off Button

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Some of the mics and techniques used in the film are well known, such as an embryonic version of Glyn Johns’ famous 3 mic set up, and the use of mics wrapped in tights on the roof to stop the wind! If there’s anything we’ve missed let us know in the comments. The polar pattern seemed fairly tight and well controlled across most of the frequency range — a good result for a mic at this price — and that should allow use as a coincident or spaced stereo pair, perhaps above drums or on pianos. However, I wouldn't recommend using M3s for distant stereo miking, as I think the self-noise and low output would result in a relatively noisy recording. For example, my favourite Sennheiser MKH40s (that I use regularly for distant miking) have a self-noise figure that is 9dB lower, and an output level which is 12dB higher. But then they also cost about 24dB more.... It's a case of horses for courses, and the M3 is exceptionally good for the price, easily matching or exceeding the specs and performance of its nearest competitors.

While the large diaphragm studio condenser mic has been a familiar sight in studios for the last 70 years or so, more recently the large diaphragm end-fire dynamic mic has enjoyed increasing prevalence in the independent creator’s studio. Many would agree that it’s hard to buy any mic that won’t turn in usable results when used properly, yet some designs always seem to find a home within any given group of mic users. Of these, looking the part might be more important to some than others, and the creator/podcaster/YouTuber sector especially has welcomed the ‘big-mic-on-suspension’ look with open arms. I tried it on a wide variety of sources and found it worked superbly well on all of them, capturing every nuance of the sound with great fidelity. On very close vocals the bass tip‑up gave a slightly warm sound compared to some other small‑capsule mics, but it remained detailed and never showed any hint of harshness or a tendency to sibilance. Moving the mic out to about a foot or so from six and twelve‑string acoustic guitars produced a lovely sound, completely free of boomy resonances but with all the complex harmonic structures perfectly intact. On an upright piano it proved equally competent, and even placing it directly in the firing line of a trumpet did not cause any problems (with the windshield on). Since the mic has been balanced to rely on the proximity effect from close working for a flat frequency response it also proved to be relatively immune to handling noise and stand vibrations. As the frequency response curve suggests, the mic does indeed have a slightly airy quality, which helps with vocal projection and it also adds definition to acoustic guitar. The overall impression is of a fairly natural but nicely open sound, and that hard-to-define sense of focus is better than you might expect for such an affordable microphone. There’s certainly not much to dislike at the price. TM-280 The M3 feels robust, and the supplied stand adaptor looks unbreakable. I ran the mic on phantom, from an installed battery, and with phantom when the battery was installed... and it worked perfectly on each occasion. I couldn't test battery life as such, but I inserted a partly used PP3 and it was still going happily after being left on for the best part of a week. The technical specifications are good for this kind of mic at this kind of price. The frequency response is given as 40Hz to 20kHz, and the accompanying frequency response chart suggests a gentle roll-off at the bottom, roughly 3dB down at 100Hz and -10dB by 40Hz. It is substantially flat between 100Hz and 4kHz, above which there are a couple of mild 2dB peaks before a smooth high-end roll-off to -3dB at 20kHz. This is an impressively flat and extended response, especially compared with AKG's C1000S (probably the closest comparable mic), or any similarly-priced moving coil (dynamic) microphone.

And so to the latest addition to the fleet, the SR71, which is marketed as a high‑quality, general‑purpose live sound mic. The good news is that this version has been priced at less than half the cost of Earthworks' other cardioid, the Z30X, which puts it in the same territory as AKG's C1000 and the Rode NT1. Earthworks's literature recommends it for a very wide range of applications, including voices (solo and choirs), guitars, pianos and all other stringed instruments, brass, woodwind (particularly saxophone and flute), percussion, snare drum, bass drum and overheads. There is nothing that makes a noise which this mic isn't ideally suited to, apparently! Mechanics Overhead - unidentified end-fire mic used at Shepperton Studio. This mic looks like it could be an AKG C28 in the AKG pivot mount or similar AKG preamp body and capsule combo. On Bass

As we mentioned above, this Fire tablet has fairly large bezels. While not as stylish as a bezel-less tablet, you'll have far fewer accidental taps with this display because of the unresponsive buffer. At 2kHz the SR71 exhibits an almost perfect textbook cardioid response with a fantastically sharp rear null, but at higher and lower frequencies this is less well defined, although never worse than 12dB of rejection from 500Hz up to 4kHz. Above this point the response starts to move towards hypercardioid, with small side nulls at 135 degrees in place of the 180 degree ideal. In Use On paper the response curve looks quite similar to that of the TM-180, with its 9-10 kHz lift. The capsule is again a dual-diaphragm, 34mm diameter affair utilising a centre-terminated, gold-coated diaphragm, but I can’t tell whether it is the same capsule as used in the TM-180 or not. While the nominal frequency response is again shown as 20Hz to 20kHz, this mic is the quietest of the models we were sent, with a signal-to-noise ratio of 80dB. The sensitivity figure is -36dB ±2dB (0dB=1V/Pa at 1kHz) and the SPL handling 135dB without the pad engaged. Peeking inside reveals two circuit boards populated with good-quality discrete components, but this time around there’s no transformer.Yes the Kindle Fire HD has a built-in microphone. It is located on the side of the unit, right around the corner from the camera. You can use the microphone for making calls in Skype.